- 4/3" "Best in Class" MOS imager, with fast imager scanning which translates to low skew in picture quality with optical and low pass filters for elimination of aliasing and moire
- Records 1080/60i/24P 30P(Native) and 1080/50i , 25P(Native), 720P/60 or 720P/50
- Variable frame rates in 24P, 30P and 25P, in1080 up to 60P or 50 dependent on 60Hz or 50Hzmode
- Uncompressed 4:2:2, 8 Bit HD-SDI output and HDMI output
- Six Built-in Scene files, which of course the customer can customize, selectable from a menu rather than a scene file dial
- Built-in gamma curves like HD Norm, HD Low and High, Cine-like D, Cine-like V, B.Stretch, with 4 selectable color matrices like Norm 1 and Norm 2, Fluorescent and Cinelike
- Color Phase and Saturation, Pedestal and Detail image control
- Exchangeable scene files, for instant/easy matching between multiple cameras
- Syncro-scan shutter in Video Mode (1/24.0, dependent on frame rate, to 1/250; in Film Mode variable shutter angles from 1 to 360 degrees
- Two card slots for relay recording which means with 2 32GB SDHC cards, 6 hours of record time and automatic clip spanning across the two cards
- SDXC Card compatibility, 64GB cards means 12 hours of PH Mode, 48 hours in HG Mode
- Downconverted standard-def composite output
- HD Video and Full Audio monitoring during record and playback with high-quality audio preamps at the input
- Audio outputs, both line level and headphones
- Two professional XLR audio inputs, line/mic selectable with phantom power as menu selectable item with full manual audio level control and the ability to disable all Audio Gain
- Uncompressed 48KHz 16 Bit audio recording capability in PH mode
- High resolution LCD and Viewfinder
- Timecode and timecode synchronizing for simple multiple-camera shoots via video out connection
- Dynamic Range Stretch in all modes, and frame rates
- Focus assist that can be used while recording, color on peaking and focus bar
- Two sets of zebras that user can set for their style of shooting
- Two manual black and white balance choices and preset White Balance at 3200 or 5600K
- Waveform monitor and vectorscope, for more accurate monitoring of Broadcast Safe Levels
- Spotmeter "marker" for instant feedback on key subject exposure value
- Built-in optical neutral density filters, 2 stops, 4 stops and 6 stops
- Black and White Recording Mode
- Pre-record and an intervalometer function for up to 24 hours
- Different aspect ratio markings in the viewfinder/LCD 90% "safety zone" against the 16:9 for making sure your framing will be visible on all TVs, and 2.35, 1.85, 14:9, and 4:3
- High quality AVCCAM PH mode, full production codec, I frames B frames and P frames, also has HA Mode and HE Mode(note these last two are 1080i only)
- Autofocus during record with the H-VS014140 Lumix Lenses, with face recognition technology
- Marker ability to mark clips "good" or "no good"
- Programmable User Buttons with options like Delete last clip, Focus Assist, Rec Check, Capture, ATW Lock and Shot Mark
- Smart Battery interface, record times up to 4 hours with 5400mA battery
- Metadata - assign user clip names to the clips that get shot
- Wireless infrared remote controller
- Professional Color bars and 1000Hz tone for communicating levels to the edit suite
- Remote iris/stop/start control interfaces, standard communication protocol as with all Panasonic Professional camcorders
- Professional Body Color, similar to other Panasonic Professional cameras like the VariCams
- 3-year AVCCAM warranty upon registration in PASS network
- กล้องรุ่นนี้เหมาะสมกับงานถ่ายโฆษณา เปลี่ยน lens ได้
- ธเนศ เลิศวิจิตรศิลป์ 081-8359152
Sunday, 19 August 2012
กล้อง panasonic ag-af102
Subject: กล้อง panasonic ag-af102